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Introduction : the book, the spirits, and the historian## 1. Power and gender : the spiritualist context## 2. Victorian spiritualism and the spiritualist woman## 3. Star mediumship : light and shadows## 4. At home with the Theobald family## 5. Women healers in the spiritualist world## 6. Medicine, mediumship and mania## 7. Louisa Lowe's story## 8. Spiritualism and the subversion of femininity##

Women and spiritualism --- Women mediums --- History

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With her startling humor, it’s no surprise that Aminder Dhaliwal’s web comic Woman World has a devoted audience of over 120,000 readers, updated biweekly with each installment earning an average of 25,000 likes. Now, readers everywhere will delight in the print edition as Dhaliwal seamlessly incorporates feminist philosophical concerns into a series of perfectly-paced strips that skewer perceived notions of femininity and contemporary cultural icons. D+Q’s edition of Woman World will include new and previously unpublished material.When a birth defect wipes out the planet’s entire population of men, Woman World rises out of society’s ashes. Dhaliwal’s infectiously funny instagram comic follows the rebuilding process, tracking a group of women who have rallied together under the flag of “Beyonce’s Thighs.” Only Grandma remembers the distant past, a civilization of segway-riding mall cops, Blockbusters movie rental shops, and “That’s What She Said” jokes. For the most part, Woman World’s residents are focused on their struggles with unrequited love and anxiety, not to mention that whole “survival of humanity” thing.Woman World is an uproarious and insightful graphic novel from a very talented and funny new voice.

Dhaliwal, Aminder --- Women

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Composers --- Pianists --- Women composers --- Women pianists --- Schumann, Clara (+ portr.)

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Amsler-Borgemeester, Sonja ; Balmer, Helen ; Bauer, Ellen ; Binz, Yvonne ; Breuss, Hildegard ; Brunschwyler, Hildi ; Burri, Ruth ; Demarmels, Madlaine ; Diener, Eva ; Dubach, Margaretha ; Estang, Claude ; Fawer-Gassner, Heidi ; Fontana, Annemie ; Frey-Vosseler, Rosmarie ; Funk, Lissy ; Goeschke, Sylvia ; Guyer-Wyrsch, Gertrud ; Hayoz-Häfeli, Hedwig ; Hess, Hildi ; Heussler, Hey ; Hubacher, Rena ; Huegin, Dorette ; Huegli, Regula ; Iselin, Faustina ; Issler, Ruth ; Jaques, Annemarie ; Jaquet, Alice ; Keller-Fischer, Astrid ; Kenel, Rita ; Kobalt, Owsky ; Leuenberger, Margrit ; Mandzjuk-Glaus, Jenny ; Mayer-Barman, Madeleine ; Mentha, Ruth ; Mermod, Marie-Claire ; Meyrat-Laverrière, Phyllis ; Nuñez, Isabel ; Nyffeler, Kläri ; Olsen, Marianne ; Reich, Heidi ; Reyle, Carmen ; Riklin-Schelbert, Antoinette ; Rothlisberger, Elsbeth ; Rolly, Maria ; Rotter-Schiavetti, Annarella ; Sahli, Anne-Charlotte ; Sieber-Fuchs, Verena ; Sitter-Liver, Beatrix ; Sonderegger, Fridel ; Speiser, Noemi ; Spoerri, Cristina ; Staehelin, Marlise ; Steinen, Cordelia von den ; Thélin, Janine ; Truninger, Bettina ; Unser, Gisela ; Vatter-Jensen, Inga ; Wiggli-Klein, Rosa ; Winkler, Elisabeth ; Zanolli, Lea (Zalea) ; Zolo-Levy, Hélène

Zwitserland --- Art, Swiss --- Women artists --- Artists, Women --- Women as artists --- Artists --- Exhibitions

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It's not so long ago that a woman's expressed interest in other realms would have ruined her reputation, or even killed her. And yet spiritualism, in various incarnations, has influenced numerous men - including lauded modernist artists such as Wassily Kandinsky, Piet Mondrian, Kazimir Malevich and Paul Klee - without repercussion. The fact that so many radical women artists of their generation - and earlier - also drank deeply from the same spiritual well has for too long been sorely neglected. In The Other Side, we explore the lives and work of a group of extraordinary women, from the twelfth-century mystic, composer and artist Hildegard of Bingen to the nineteenth-century English spiritualist Georgiana Houghton, whose paintings swirl like a cosmic Jackson Pollock; the early twentieth-century Swedish artist, Hilma af Klint, who painted with the help of her spirit guides and whose recent exhibition at New York's Guggenheim broke all attendance records; the 'Desert Transcendentalist', Agnes Pelton, who painted her visions beneath the vast skies of California; the Swiss healer, Emma Kunz, who used geometric drawings to treat her patients; and the British surrealist and occultist, Ithell Colquhoun, whose estate of more than 5,000 works recently entered the Tate gallery collection. While the individual work of these artists is unique, the women loosely shared the same goal: to communicate with, and learn from, other dimensions. Weaving in and out of these myriad lives, sharing her own memories of otherworldly experiences, Jennifer Higgie discusses the solace of ritual, the gender exclusions of art history, the contemporary relevance of myth, the boom in alternative ways of understanding the world and the impact of spiritualism on feminism and contemporary art. A radical reappraisal of a marginalised group of artists, The Other Side is an intoxicating blend of memoir, biography and art history.

Women artists --- Spiritualism in art --- History --- Artists, Women --- Women as artists --- Artists